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Once Upon a Version

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One Tale, Many Tellers

One tale type across named tellers and editions: who told it, who wrote it down, who edited and printed it, and what changed from one version to the next.

6 articles · start with Grimm Fairy Tales 1–60: Counted Here, 21 Named Tellers

Etched portrait of Jacob Grimm by his brother Ludwig Emil Grimm, signed at Kassel in 1815

One Tale, Many Tellers

Brothers Grimm: Their ‘Peasant Woman’ Was a Tailor’s Wife

Type ATU 533, as classified by D. L. Ashliman

The Grimms’ 1815 preface calls Dorothea Viehmann a peasant woman. Her biography records an innkeeper’s daughter who married a tailor. Both prefaces, compared.

Picture credit

"Portret van Jacob Ludwig Karl Grimm" by Ludwig Emil Grimm — https://commons.wikimedia.org/wiki/File:Portret_van_Jacob_Ludwig_Karl_Grimm,_RP-P-1907-1042.jpg — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/); modified: cropped to the plate (sheet margins removed)

Oil portrait by Elisabeth Jerichau-Baumann, 1855: Wilhelm Grimm (left, cap and quill) and Jacob Grimm (right, in profile)

One Tale, Many Tellers

Grimm Fairy Tales 1–60: Counted Here, 21 Named Tellers

Type collection of folktales (no single ATU number)

Bolte and Polívka’s 1913 notes on Grimm tales 1–60 name 21 tellers, 13 of them women, and 34 of 62 credits name Kassel. The register lists them entry by entry.

Picture credit

"Doppelportrait der Brüder Jacob und Wilhelm Grimm" by Elisabeth Jerichau-Baumann — https://commons.wikimedia.org/wiki/File:Alte_Nationalgalerie-Jerichau-Baumann-Gebr%C3%BCder_Grimm_DSC8174.jpg — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/); modified: cropped to the painted canvas; gilt frame and wall removed

Engraving by Doré, 1867: a young man walks down a dark avenue of tall trees toward a lit stair where a guard sleeps

One Tale, Many Tellers

Sleeping Beauty: In Basile and Perrault, No Kiss Wakes Her

Type ATU 410, as classified by D. L. Ashliman

Sleeping Beauty in Basile (printed 1636): twins draw out a splinter. Perrault (1697): the spell ends. Of 4 texts compared here, only 2 Grimm texts use a kiss.

Picture credit

"La Belle au Bois Dormant" by Gustave Doré — https://commons.wikimedia.org/wiki/File:La_Belle_au_Bois_Dormant_(136548149).jpg — Public domain in US (published 1867); DE/FR (Gustave Doré d. 1883, life+70); the wood engraver’s signature at lower right is not legible, and an engraver working on an 1867 edition is presumed not to have lived past 1955 (log, image ruling 10)

Plate by H. J. Ford, 1889: a winged genie rises from smoke while Aladdin lounges on a couch beside the lamp

One Tale, Many Tellers

Aladdin: A Syrian Teller Gave It to Galland in Paris, 1709

Type tale printed in Galland’s Thousand and One Nights (no ATU number cited)

In the sources checked here, Aladdin’s earliest known record is Galland’s diary for 5 May 1709: Hanna, a Maronite from Aleppo, had just told him the tale.

Picture credit

"The Blue Fairy Book (1889), p. 78: plate to “Aladdin and the Wonderful Lamp”" by H. J. Ford — https://commons.wikimedia.org/wiki/File:The_Blue_Fairy_Book-0112.jpg — Public domain in US (published London and New York 1889); DE/FR (Henry Justice Ford d. 1941, life+70, public domain from 1 January 2012); modified: Cropped to the plate and its ruled frame with a strip of paper around it; the page text above and below is left out

Colour plate by H. J. Ford, 1920: a prince in a plumed red cap bends over a red-haired princess waking among poppies

One Tale, Many Tellers

Andrew Lang’s Fairy Books: His First Preface Omits Mrs. Lang

Type anthology series of retold tales (no ATU number)

Andrew Lang wrote in 1910 that his fairy books were “almost wholly the work of Mrs. Lang.” His 12 prefaces name her in 11, not in the Blue Fairy Book of 1889.

Picture credit

"Beauty Awakened (The Sleeping Beauty in the Wood), colour plate, The Blue Fairy Book, 1920 edition" by H. J. Ford — https://commons.wikimedia.org/wiki/File:Beauty_Awakened_(The_Sleeping_Beauty_in_the_Wood)_(HJ_Ford).jpg — Public domain in US (published New York 1920); DE/FR (Henry Justice Ford d. 1941, life+70, public domain from 1 January 2012)

Colour wood engraving by Walter Crane: Beauty bends over the Beast lying in the grass under wild roses, ape servants behind

One Tale, Many Tellers

Beauty and the Beast: Two French Tellers, 1740 and 1756

Type ATU 425C, as classified by D. L. Ashliman

Villeneuve published Beauty and the Beast in 1740 and Beaumont in 1756. In the scans counted here, Beaumont’s French runs about 13% of Villeneuve’s.

Picture credit

"Beauty and the Beast, book; colour wood engraving, engraved and printed by Edmund Evans (about 1901 edition)" by Walter Crane — https://commons.wikimedia.org/wiki/File:Beauty_and_the_Beast_MET_DT11058.jpg — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/)